Samantha’s Diary… ***Some DS Fan Fiction I’m playing with***

As a little girl, I remained in a Boston private school for girls, thanks to the generosity of Roger Collins and Elizabeth Stoddard.  They have been like surrogate parents to me in my absence from Collinsport for years. Roger always said that I wasn’t facing reality by avoiding going “home”.  But which place was or is home? Is it the house where my mother, Claudette tortured me for the first seven years of my existence, or Collinwood, which was my shelter from many of her storms?

Then there was that place in the mausoleum.  Willie doesn’t even know of it, I think.  I would sneak into there and dream I had a guardian angel watching over me there.  At least I knew my mother would never set foot in the cemetery.  I remember dreaming about that faceless dark angel with a calming voice.  He’d carry me through the woods, teaching me about the birds and trees and such and the sun always shone there. In short, this entity was the phantom father I created in my mind, I suppose.  At least the shrink says as much to me.   I’ve written many songs about filling that gaping hole in my memories as well as my chest.

I somehow learned to write with penmanship from a time gone by. I won awards for it and I still prefer my quill to a fountain pen. I mastered math in my head long before I had access to a calculator.  A large part of me wants to return, and another side of me totally dreads this.  I keep having dreams of a duel, people dying, voices calling my name, and for what purpose? The worst ones are of me drowning in another time and place when I was still quite young, a long dress weighing me down as if it were a ship’s anchor, and something cracking my skull and knocking me out after struggling to come back to the surface.  I always manage to wake up shaking and sweating after those. I fear water so much! Why me? Did my mother damage me so much that I cannot tell what is reality from fantasy any longer?  I’m wondering if the dreams are symbolic.  Whatever. It doesn’t matter at this point.

I know it is time to return to Collinsport.  Elizabeth and Maggie have begged me for months.  I suppose it is time to revisit the grave of the child I once was, and can never be again.  Sometimes an infected wound must be thoroughly drained and cleaned before it can heal.  Hopefully it will not leave a scar that is too noticeable.  At least it is what the one familiar male voice says to me in those damned dreams I have every night as of late.

Only now the dreams are getting stronger, and the voices more clear.  No matter how many psych meds the doctors put me on or how many gigs I do just so I can pass out and sleep after the ambien, they are there…They are waiting for me…It’s only the voice of that dark angel that doesn’t torment me.  All he says to me lately is, “Perhaps you should reconsider this endless journey you are on and come visit your family.  You are every bit a Collins now even if not by blood.” he says.   Funny how Roger and Elizabeth keep reminding me that they do  consider me thus.  There I go–talking like he does.  Dammit I am truly done for the night–until those dreams start-up again…

—S.R.T.  April 3, 1990

The Changing World of Movie Viewing Part II

In the first post on this I discussed how actors/actresses are judged by an audience and how a film critic’s views no longer represent the public as much as they do the marketing execs.  They don’t represent the academy, that’s for sure. I will not rehash that here.  I want to discuss another aspect that Hollywood seems to trip  itself over.

Many marketing execs claim that they make films to appeal to teens and ‘tweens because they think that the older audience tends to “stay home”.  The logic is nothing more than a smokescreen to justify how they tend to make a lot of crappy films now.  Why? Because they are marketing the same type of crap to home viewers.  With the exception of a few shows, like “Hardcore Pawn” people are getting really sick of “reality TV“.  The fact of the matter is that many of these shows highlight what is wrong with society rather than what is enjoyable about it.  Some even tend to glamorize behavior that society should never tolerate from anyone for that matter–especially the authorities…For example, take the latest case:  Honey Boo Boo…What parent in their right mind would jeopardize the health of their own child by pumping him/her full of energy drinks and let them gain so much weight just so they can act the way this kid does?  The fact of the matter there is that they feel sorry for the kid and want to kick the parents’ asses, and I think many watch just to see if CPS will knock on their door…

Now back to the point of this post.  IF these execs knew what they were doing, they would market real movies with logical plots and believable story lines AT LEAST to the home viewers since they tell the public that the older audience tends to “stay home”…The bottom line is: They want the kids because they think most have only a two second attention span. Not only is that an insult the entire audience as a whole, but they insulted the entire Academy of Motion pictures with that line of thinking.  Do they really think when deciding for the Oscars that that is the logic of the members of the academy?  Seriously? If so, they should all be fired and replaced.

It seems to me that it is the performers and a handful of  directors and producers who have the real audience and fans in mind.  Both the Academy and the audience want original ideas, innovation, characters that COULD exist, believable story lines and even a little old-fashioned romance from time to time–and even HUMOR–REAL HUMOR–not this crap that always goes back to sexual innuendo either.  The innuendo and such has its place but it should not be on Prime-Time TV. THAT should be reserved for when the kids are in bed.  There is nothing illogical or “archaic” about that.  It is those execs who promote the bull shit that have limited their own potential by buying into their own crappy perception of the world they live in.  IF that were not the case, they wouldn’t be advising stock holders and producers to put money into pictures and TV shows that are not worth a damn.

When shows like “Harry’s Law” and “Memphis Beat” get cancelled, something is definitely wrong.  A network with a wiser CEO should work to get those shows on it.  I’ve got $10 that says with the RIGHT marketing and the RIGHT time slot, those two shows would be runaway hits for investors.

It is also time to stop with the sequels, prequels and remakes (or as some now call them “reboots”) that tend to deviate from original classic shows. NOT one of these has succeeded on TV this year or at the box office.  The only movie doing well in that category this year is “The Expendables 2” because it is a continuation of an ORIGINAL IDEA!   Thank God for Sly Stallone and Dolph Lundgren.  At least those guys have some idea of what an audience really wants…The only other fairly recent film which did well was “Star Trek” (2009).  J. J. Abrams did that one right–regardless of what some think.  He captured the essence of the original characters using new actors and did not deviate from their traits in the least.  That is more than I can say for the  “Dark Shadows” movie that was released this year.  Every reason that movie flopped is in a book written by Tom Laughlin  which you can find here:

http://www.billyjack.com/Merchant2/merchant.mvc?Screen=PROD&Product_Code=BK9S&Category_Code=BOOKS&Store_Code=BERSERK

And I still say that had the Dark Shadows Revival series went beyond 12 episodes, it would have lasted.  That was one remake that did stick to Dan Curtis’s vision of what he thought his own creation should be.  He always knew what his fans wanted, that’s for sure.

Have a wonderful Thanksgiving Holiday, everyone! Until next time…

 

Dark Shadows: Wrong and Loathing It (Repost Since the Original is Lost~!)

 

I originally wrote this when I first saw the movie upon its release. Thank God I didn’t by the freaking ticket. I’d have demanded a refund. To all the die-hard Deppers and Burtonites–sorry if it offends you…I am simply being honest here. That script totally sucked!

Alright people…I actually broke down and went to see this movie.  I will say this, Mr. Ebert was being kind when he gave it 2.5 stars.  Now I am going to write about what is WRONG with this film, and it shouldn’t matter whether or not the viewer saw either the original or the Revival Series prior to viewing it, but before I do, I will say this: I think that it is truly sad that while Johnny Depp is probably one of the greatest actors alive, he is wasting his talent on steering clear of a mainstream audience.  It is fine to be a rebel of sorts in Hollywood, as long as you know whatever the hell your cause is and if it is a cause worth standing ground for.

However I cannot fault Depp for his Barnabas portrayal here. In fact, aside from the clown make up which he’s been using in his past few films, he actually did attempt to give the character of Barnabas Collins a depth of sincerity but was derailed by the horrible script writing of Seth Grahame-Smith.

Each actor was given an interesting part, but due to the lack of integrity in the script, there was little to no character development with the other characters involved. It seemed that the movie was somewhat rushed after the back story about Josette, Barnabas and Angelique was given in the first 20 minutes or so.  I won’t give away the ending, but I will say that those who loved both series (the original and the Revival) will be very disappointed, if not pissed off.  Here are a few reasons why:

It is one thing to take dramatic license and add to a script. It is another thing to bastardize the entire story line just because one has bought the rights to do it.  According to the REAL story, Angelique curses Barnabas prior to Josette’s demise. The part about her bewitching Jeremiah and Josette so that THEY married was completely omitted–not to mention the fact that Barnabas’ parents were NOT killed but remained part of the story line throughout both the original series and the Revival series. He never delved into black magic himself either. Hence that is the beginning of the bastardization of the character.

PLEASE don’t try to tell me they had to rewrite it to make it pleasing to a new generation. That is such bullshit.  They could add some humor without doing the above. It ruined the credibility of the film with fans who know how the story actually went. Also I have a problem with a “witch” leading a mob to bury a vampire alive.  Angelique didn’t try to go too far out on a limb. Besides that Barnabas had killed her and she cursed him with her dying breath. Again…Credibility shot to hell. Victoria not knowing her own damned name on the train didn’t help either. THAT was stupid. Not campy.

Then after 48 minutes into the picture, I was asking myself, “Where in the bloody hell (no pun intended) is this movie going?  I mean, vampires supposedly SLEEP by day…This version of Barnabas was all over the place. I don’t want to hear anyone bitching about the Dark Shadows Revival Series day for night shots when there are plenty of them in this damned flick.  An HOUR into it, I was still wondering where the hell the story was going. The oral sex w/Julia…The sex w/Angelique…Give me a break! The latter was reminiscent of “War of the Roses“…The finale–as another reviewer stated–was reminiscent of “Death Becomes Her”…I didn’t find Eva Green‘s performance or Ms. Heathcote’s as really standing out either.

With only 40 minutes left, total disappointment…NOT in Depp’s acting–although Ben Cross beats his ass down when it comes to the part of Barnabas…Not in Ms.Pfieffer’s acting. AS I said the writing itself, the entire changed story line sucked balls. However there are some aspects of it that did appeal to me. The write-in of Victoria’s childhood did appeal to me–no spoiler. Let’s just say that psychologically, I can see how she feels connected to Collinsport–and why she likes being there–probably because that came out of some of the best fan fiction that I have ever read.  If you don’t believe that, start reading some of it…The apologetic serial killer crap doesn’t appeal to me either–again, it’s bullshit. Barnabas tried not to bring attention to himself.

I also felt a connection with David’s character–having been abandoned emotionally in more ways than one. No  spoiler there either. Only in the last 24 minutes does it seem to pick up to some sort of climactic action…Let’s just say if that first is last and the last is first, there will be no sequel…This Barnabas issue of fans wanting an ending got it…Watch it to the end and you will know why–but this was more of a spin off…Not  a spoof, despite its comedic moments.

What makes it tragic to me, is that if the writer Seth Grahame Smith had taken the FIRST movie to devote to the mystery of Vicky and tie it in that way with Angelique stalking and her connection to Josette, the rest could have come together in part 2 and kicked total ass. By the way, I did like Alice Cooper‘s appearance–even though he wasn’t famous until ’73 or ’74…

Despite the brief cameo of the original cast, this movie does not have the bite it should have had for it being part of the franchise. The entire story–minus the Josette thing at the beginning could have been dealt with in an hour on a TV production rather than this 113 minutes of wasted celluloid.  There is no excuse for the dragging ass pacing of this film for the first 89 minutes.  More could have been told and less time wasted–with more time given to character development.  It boils down to this, stellar cast…Interesting idea…Yet it was wasted on a script that was totally wrong…Hence the title of my review…Dark Shadows: Wrong and Loathing It.

Now that Jonathan Frid is gone, Cross owns the role in my book. I’ll never go to any sequel of the 2012 version, that’s for sure…

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Addendum:  I am clearing something up here by request.  Johnny Depp, while even though he was a producer of this film and bears much of  the responsibility for the fact that it tanked here, needed to learn a lesson here.  There are some parts which even the greatest actor on this planet does not have the range for and should not undertake.  This clearly was one of those roles for Johnny Depp.  If you do some checking, you will find that he did want to play Barnabas in the 1990’s to which Dan Curtis gave a resounding “NO!”  Curtis was right.   The only way to fix this now is to totally change up the story to where Angelique set this whole thing up–including the meeting between Josette and Barnabas in Martinique.

Why do I say that? Because it is the only way to save the franchise and stay true to the characters at this point in time.  Fans want a resolution to this storyline–not drag it out for another 40 years.  Frid is gone.  Cross is older now.   However, this can be redone utilizing some of the original cast members in speaking  roles–even if short ones, and some from the Revival cast.  THAT would have worked and the fans of both versions would have been much happier.  Unfortunately, the Burton-Depp camp didn’t consider the fans when making this version. This was about egos and what they thought would sell the picture: The Depp name.  What does this prove?  It proves Tom Laughlin’s point (You might remember him from the Billy Jack trilogy) that there are times that even superstar power will not sell a picture if it doesn’t meet certain expectations.

If you want to know more, read this book!  http://www.billyjack.com/Merchant2/merchant.mvc?Screen=PROD&Product_Code=BK9S&Category_Code=BOOKS&Store_Code=BERSERK

For any writer, this book is right on the money!

//

What Dark Shadows (The Original) and Dark Shadows (The Revival) Have in Common…And What they Don’t…

NOTE: My apologies in advance for the alignment of the pics with the text between further down. I tried my best to correct this but the text would keep showing up between the pictures of Lara Parker and Lysette Anthony

Earlier I wrote a post in which I described how certain people are telling me how I should not judge an entire movie by a two-minute trailer.  That is a statement made in ignorance (at best) because the trailers are the most important vehicle to make a viewer want to watch a film or decide to save their money.  I am going to describe what the two shows above have in common…I am also going to leave you with a question at the end to ponder.

Many people who know me personally know I ran home from school EVERY DAY so that I would see if “Barnabas was well yet”…I wanted him to be cured and that bully “Angelique” to get the royal ass kicking she deserved.  I have done a lot of reading and such and studying for the past few months.  This is what I PERSONALLY look for in any movie or show I watch, and if I don’t see it, I don’t view it again.  If the trailer sucks, it will result in more monetary loss than gain in the long run because those who came up with it failed to do their homework before filming the project.  Translated that means: THEY DIDN’T DO ANY MARKET RESEARCH FIRST.  If they had, they would have KNOWN that this was not a good thing they were trying to accomplish.

First off, what did Barnabas ever do to deserve being cursed and having his entire family tormented?  Bottom line, he screwed around with the WRONG woman…In today’s time, since he wasn’t married yet, it wouldn’t matter.  The man had a flaw and it got him in hot water–period.  Was this “hot water” truly deserved? No…It was not and that is what made us as children (especially if we got bullied) empathize with the Barnabas character…This was also played out in the Revival Series VERY well.

Then there is this element of “mystery”–which really was not a mystery to us in the 90’s when the Revival series came out, but while fans of the original series were looking for a “Jonathan Frid” many were not disappointed with Ben Cross‘s rendition of that character.  Dan Curtis‘s method of casting and directing ensured that BOTH actors were able to evoke and keep our attention.  The difference lies in that Frid’s rendition came across as more “human” than beast.  Cross’s rendition made him more menacing and flawed, but like Frid’s character,  he was still a good man with a good heart.  And in Cross’s rendition, the strong emotions his Barnabas experienced were portrayed very, very well.

The Two Best Men to Ever Play Barnabas Collins.  Sorry Johnny, but Mr. Cross raised the bar too high.  After the 2012 movie is released, I believe Mr. Cross will finally be more appreciated for his rendition of the role--and rightly so!

My apologies to Mr. Depp here, but after seeing that performance in the trailer, it proves that Mr. Cross raised the bar too high. No other actor since him has portrayed him as well.  It would be great if the original cast invited cast members from the Revival to take part in the fests also.  They are still part of that legacy–and are more recognizable now than they were then.  The Revival Series will probably now get the respect it so richly deserved. The Gulf War is what led to the show’s fate–not the writers, cast or crew.  They totally rocked and so did the direction of Dan Curtis in both series.  The formula Mr. Curtis had was not broken. Market research would have proven that had Mr. Burton or Depp done it and/or paid any attention to it. I find it no coincidence that Mr. Curtis tended to use actors with Shakespearean backgrounds in theater as well.  Look at Frid and Cross…Both carried the character very well.

In BOTH shows, our curiosity was aroused and our intellect was challenged enough that we responded!  Boy did we!

Now who is the visible villain in BOTH shows?  “Angelique” DUH! Really?!   Both had intense eyes.  For each time period–both were realistic–meaning that Lara Parker kicked ass at this part in the ’60’s but Lysette Anthony did in the Revival Series.  Ms. Anthony succeeded in doing an excellent portrayal of a voodoo witch with the correct (French) accent too since that character  came from Martinique.

There is one problem and that is the total lack of a hero or heroine.  That was not clear in either series really but Barnabas did show heroic tendencies at times.  The character of Barnabas Collins is also the first vampire to come across as romantic, despite the fact that a lot of women do not like the idea of a permanent hickey on their neck–oops! Sorry! Barnabas would say it’s just a “love bite”, I’m sure.  I am grinning here.

The reason this is an unknown is that the original series was intended to be a long running show and it was.  But what do fans want here?  I think they want a RESOLUTION to the dilemma.  Either cure Barnabas’s curse or put a stake in him and kill of Angelique so the rest of the family can live in whatever after may be–OR some enterprising writer needs to come up with new characters to cure him of his curse and make the story line so realistic that fans would accept any new characters brought in.  It won’t happen for this movie though. They are already talking about sequels–AGAIN–lack of true market research…They would have known this had they done that task. If they would resolve the Barnabas issue and move on to Quentin it might have fighting chance in hell of long-term success–but ONLY if they didn’t deviate too far from fans expectations.  It was never meant to have comedic schlock in it. That would work for the “Fearless Vampire Killers” but NOT for this one.

Why?  This is simple.  This show had been established for decades.  The comedic schlock only lowered the plausibility of it at this point. It also put a mar on the credibility of the franchise and it isn’t even out yet. Fans of the original and the Revival are in an uproar.  The humor that came about came naturally when it occurred in the original series and in the 1700’s flashbacks of the Revival.  That is how it was meant to be written.  Dan Curtis did show that Barnabas did have a “life”.  To add the type of humor in the new film shatters the audience expectations  of a show they love–and this all from a 2 minute trailer.  Never tell a viewer not to judge a movie by a trailer. That is what trailers are DESIGNED to do–enable a viewer to make a decision.

One great thing about BOTH shows is that either Barnabas and/or some other character is always in danger…There was that element that it wasn’t only Barnabas that could be destroyed in a given moment if found out–but Angelique had a pendulum swinging over the heads of his entire family.  One didn’t really know where that was going at times.

Then you have that “love story” aspect…It is there. It is tragic.  However if it had been kept in the spirit of the original–even with a surprise twist by adding a new hero or heroine to resolve it, it could have worked whether or not Josette Dupres remained part of the equation.  There were clashes of wills between the vampire Barnabas and Josette when she became frightened and jumped from the cliff. Clashing of wills was present throughout the original. In the Revival it was there also–even between Barnabas and Willie at the point where Willie had tried to dissuade Victoria from coming there and tried to get her to leave the old house before it got dark.  This was the result:

http://www.youtube.com/watch?v=9_zoTfRmm9o

In the original series, Victoria left Collinsport for good.  This would have been a perfect opportunity to bring in a character or two to resolve the issue.  Had that been done, I think the viewers would have been left with a sense of closure by the end of the series.  If it were me writing it, I would want the audience to feel closure at the end–whether it’s tragic or the “fairy tale” ending the women would LOVE…In the original series, Barnabas declaring his “love” for Angelique is not credible.  It was–for lack of a better word–bullshit.

Angelique would destroy anyone or anything to have control over Barnabas. That is obsession–not love. After all she had done to his family, I seriously doubt that he could “love” her.  To continue with that unrealistic expectation would be insulting to the fans as well and they are not going to buy into it.  At best, Angelique COULD be considered mentally off-balance.  AT worst, a psychopath OR a sociopath depending on which version one watches.

Just from the trailer, the things I mention do not appear to be present.  The new movie looks more like a Beetlejuice type of film.   I think those who watched that movie or “The Vampire’s Assistant” and liked them will love this movie.  Those who know what was meant to be in both the original and the Revival series will probably hate it–despite the names of Depp/Burton being attached to it. Big names do not always equal box office success either.  We will know soon, won’t we?  I’ll wait for the dvd myself.

There is one thing that the original Dark Shadows does not have in common with the Revival series and that is longevity.  Had it not been for the Gulf War, I’m sure the Revival series would have picked up and taken off eventually.  NBC really screwed up by not giving it a second shot…Those who watch it now tend to agree with that assessment.